In the MCU, he’s a fanboy who is all too eager to make sure his heroes actually like him. Historically, the two are colleagues at best in the comics, with Stark only looking after Peter when it benefitted his own goals (as in the comic book Civil War). It’s baffling how Peter gets so wide-eyed around Tony. He’s a kid with the coolest internship whose appeal is that he’s just so lucky to be there. Unlike the comics, he’s not the struggling everyman who can barely pay rent and keep a healthy relationship. But the result is that Holland’s Spider-Man is little more than a young adult vehicle in a primarily adult MCU. The shaky foundations in which Marvel Studios built its Spider-Man came out of circumstances too boring to recount here. In the MCU, it’s a present from a billionaire benefactor. In the comics, Tony Stark gave Spider-Man a high-tech suit to lure him to his side of the conflict in the comic book Civil War. He still has the feature in his suit, I say. “But those were alien monsters,” you say. A feature Peter once clumsily turned on and later used with purpose in Avengers: Endgame.
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Though one could argue Stark changed by the time he took in Peter Parker as his ward, he’s still the guy who installed an “Instant Kill” feature on the boy’s costume. The catharsis of Peter Parker’s arc in Spider-Man: Far From Home in 2019 was capped off with Peter building a new costume inside Tony’s billion-dollar plane, all to the rollicking riffs of AC/DC’s “Back in Black” - a direct nod to when Tony was rolling around in humvees in the Middle East. It’s worked out pretty well so far,” Stark once quipped before leveling a mountain behind him. Until his traumatic capture by terrorists, Stark had no problem with it. Not when Peter’s most profound emotional attachment was to none other than Tony Stark, who inherited and subsequently furthered his fortune by manufacturing bombs for the United States military. (More on that in a bit.) But this dilemma hasn’t bothered Tom Holland’s Spider-Man at all either. At least anyone that we would care enough as a human being. Spider-Man in the MCU hasn’t killed anyone before. His first appearance, in 2016’s Captain America: Civil War, hinged on a conflict involving many heroes, and his own “solo” film, Spider-Man: Homecoming in 2017, doesn’t happen without the Iron Man trilogy and 2012’s The Avengers in place. He doesn’t even have a real Uncle Ben, a mentor-like figure who embodies Spider-Man’s fundamental understanding of loss, responsibility, and, yes, his powers.Įven after two movies and appearances in Avengers crossovers, Spider-Man’s presence in the MCU is defined only by other MCU movies. With regular, gleeful attachment to older bearded men as surrogate father figures, the MCU’s Spider-Man has never figured himself out. You can bet he won’t ever kill his enemies, at least on purpose.īut the Spider-Man in the Marvel Cinematic Universe, played by Tom Holland, isn’t quite the Spider-Man comic book readers know. For Spider-Man, Marvel’s web-slinger has long erred towards his better angels. It defines the essence of heroes like Wonder Woman and Batman and makes anti-establishment figures like the Punisher and Red Hood so different from the pack. It’s a solution with debatable net goods, but at what personal cost? The possibility of ridding the world of their dangerous enemies for good is something all heroes wrestle with to varying degrees.
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Most superheroes abide by a universal code: Don’t kill.